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The piece „welle (tri­pty­chon)“ com­bi­nes three pho­to­graphs, each of which shows a sec­tion of a dam. Seen indi­vi­dually, the three pic­tures are unal­te­red nature pho­to­graphs. Com­bi­ned as a tri­ptych and through their con­scious pla­ce­ment wit­hin this tri­ptych, howe­ver, the artistic inter­ven­tion can be reco­gnized. The artist is con­cer­ned with form, with con­ti­nua­tion, with repe­ti­tion or non-repetition (by devia­tion) of form, and lets the images them­sel­ves reflect on these pheno­mena through their own rhythm and the con­cen­tra­tion and equa­liza­tion of the wave lines in them. This pro­cess occurs in front of a black back­ground, and its clo­sen­ess to audio wave­forms, and the­reby to sound, is not dif­fi­cult to recognize.